Sean Weitner saw “Dom Hemingway” at the Wisconsin Film Festival, and it’s already back in town for an engagement at Sundance Cinemas. Here’s his review:
Are we far enough past the mid-’90s scourge of having every grim, violent, often dull moviemaker being hailed as “the next Tarantino” for me to pay that compliment to Richard Shepard? The label is an oversell, but Shepard picks up the best part of Tarantino-ism: Polishing and electrifying his personal cinema history to make one from the heart that pinballs through a playfield of references.