Kelly Reichardt’s “Certain Women” presents a triptych of loneliness on the frontier

CertainWomen_1920x1080

Sure, it would have been nice to have a lavish Criterion Collection Blu-ray edition of Kelly Reichardt’s “Certain Women.” Multiple commentary tracks, behind the scenes footage, maybe even some animated storyboards for the sequence when the Rancher (Lily Gladstone) cleans out the barn.

But that’s not really the way Reichardt, who makes crisp, economical and devastating indie drams like “Wendy & Lucy” and “Old Joy,” rolls. No shot, no line of dialogue exists in her films without a purpose. So, it’s perhaps fitting that for “Certain Women,” which adapts three short stories by author Maile Meloy, the Criterion disc only has a triptych of short interviews with Reichardt, Meloy and producer Todd Haynes.

Continue reading

Advertisements

“Heal the Living” is a heart-tugging French drama about life and death

healtheliving_01-h_2016

How do you make a movie about a heart transplant and not make it a medical drama?

Katell Quillevere’s “Heal the Living,” out on Blu-ray from Kino Lorber, achieves this by giving equal weight to the donor and to the recipient as well as the doctors. The result is a humane triptych of a film which, although it lacks real suspense or drama, contains moments of stunning beauty and enveloping empathy.

Continue reading

“Obit” is an entertaining film about journalists facing the ultimate deadline

obit-6

Those of us on social media know the feeling; that sense of dread when everybody in your feed is suddenly talking about a famous person you hadn’t thought of in a while. Go back far enough in your timeline and you see why.

A lot of us are amateur obituarists now, posting our remembrances and recollections in 140-character bites on Twitter or a little more on Facebook. That collective outpouring can be a fine and even necessary way to mourn – at least until the point when people in your feed start making inappropriate jokes. But the documentary “Obit,” now out on DVD from Kino Lorber, makes the case for leaving it to the pros.

Continue reading