We’re awash in Churchills right now in pop culture. There’s John Lithgow scowling away on Netflix’s “The Crown,” and later this month Gary Oldman will pile on the prosthetics in “Darkest Hour.”
But if there’s an actor who seems most suited to play the gruff but charismatic bulldog, called the greatest Briton of the 20th century, it would be Brian Cox. And he wouldn’t even need much makeup or prosthetics, having arrived to the set pre-jowled.
So it’s baffling, almost angering, that the movie “Churchill” so completely wastes Cox’s performance as Churchill. Cox’s performance is just fine in the movie (out now on DVD from Cohen Media Group). But the movie itself is so incredibly misguided, so willfully ignorant of the history both as it was and as the audience perceives it to be. It fails as drama because it fails at history.
Most Americans couldn’t find Micronesia on a map. And yet young men from the island nation (located 2,000 miles west of Hawaii) serve and die in the U.S. military.
That unusual relationship is explored in “Island Soldier,” a new documentary by Nathan Fitch that plays at DOC NYC this year and is touring other film festivals in 2017.
I’ve been a big fan of the Wisconsin Union Directorate’s Film Committee’s programming over the last few years — they seem to fill the Union South Marquee Theatre with just the right mix of recent hits that will bring in the students and indie films that people might have missed during their brief theatrical runs, or didn’t play in Madison at all.
One thing I’ve really liked is WUD Film’s commitment to use their fall and spring film festivals to target specific kinds of films, and subtly try to make a point with those festivals. Last spring, when there were plenty of articles about how so few female directors get the chance in Hollywood to get behind the camera, WUD responded with the Directress Film Festival, made up entirely of films made by women.