Sundance Film Festival: “Sleeping With Other People” doesn’t cheat on honesty or laughs

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Everybody’s talking about the bottle scene.

In a Sundance Film Festival where we’ve had a gymnastic sex scene (“The Bronze”) and a James Marsden-Jack Black coupling (“The D Train”), the raunchy scene that seems to be topping them all is in Leslye Headland’s “Sleeping With Other People.”

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Sundance Film Festival: “(T)ERROR” reveals the Keystone Kops of Kounterterrorism

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If the consequences weren’t so dire, the ham-fisted FBI “counterterrorism” operation chronicled in the documentary “(T)ERROR” would be comical. You could see the Coen Brothers taking a whack at this sort of material — an FBI informant and would-be cupcake chef with delusions of grandeur (he’s a big fan of “Homeland”) ensnares completely innocent Muslims in terrorism investigations. And lets a documentary crew follow him around for the whole thing.

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Sundance Film Festival: “The End of the Tour” treats David Foster Wallace with compassion and insight

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Jason Segel gets David Foster Wallace just right in James Ponsoldt’s “The End of the Tour.” He looks just like the big, shaggy, brilliant author of “Infinite Jest,” and he sounds just like him too, the mix of pithy insights, tangents of self-doubts, and moments of unshakable compassion towards the human condition all tumbling out.

He sounds like him. But he sounds like us, too.

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Sundance Film Festival: Prepare to meet the challenge of the New Frontiers

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Take a run in the woods, chased by a dark figure. Cower in terror from giant kaiju monsters terrorizing the city. Or sit on a rock with Reese Witherspoon.

All these experiences and more are at your disposal at the Sundance Film Festival’s New Frontiers pavilion on Park City’s Main Street. When I first started checking out New Frontiers in 2010, much of the exhibits had to do with incorporating film projection into art installations.

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Sundance Film Festival: “What Happened, Miss Simone?” dives into the eye of Hurricane Nina

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There’s a double meaning inherent in the title of the documentary “What Happened, Miss Simone?” which opened the 2015 Sundance Film Festival on Thursday night.
At face value, the question seems innocuous: “What things occurred?” But the undercurrent of the question, which was posed by Maya Angelou in a poem, is “What went so wrong?”

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