Even the mariachi bands are depressing in a Todd Solondz movie. From 1996’s “Welcome to the Dollhouse” to the new “Wiener-Dog,” Solondz has been one of the most reliable miserablists in movies. He treats the losers and posers of the world with equal contempt. If there’s anybody in his movies he seems to have an affinity for, it’s the few amoral predators who prey on the rest of us. They’ve at least figured out the rules in such an unfeeling world.
I’ve gone back and forth on Solondz’s movies – I really liked his little-seen last film “Dark Horse,” but have found other films to be mean just for the sake of meanness – and a pretty repetitive meanness at that. It plays Saturday night at the UW-Cinematheque, 4070 Vilas Hall, for free on a double bill with the documentary “Weiner.”