Take the crisp elegance of a ‘60s heist film like “Rififi,” combine it with the shaggy, gritty charm of a ‘70s New York crime film like “Dog Day Afternoon,” and the result is the 1974 classic “The Taking Of Pelham One Two Three.”
Take the crisp elegance of a ‘60s heist film like “Rififi,” combine it with the shaggy, gritty charm of a ‘70s New York crime film like “Dog Day Afternoon,” and the result is the 1974 classic “The Taking Of Pelham One Two Three.”