James Ivory’s “Maurice” and “Moonlight” would have a lot to talk about


If nothing else, “Maurice” has the British’s gift for not talking about what they’re talking about on full display. Being gay is referred to, famously, as “the unspeakable vice of the Greeks” by one character, and in other instances we hear a gay love affair referred to as a “muddle” or “messiness.” As Ben Kingsley, playing an American hypnotist, says in what may be E.M. Forster’s novel’s most quotable line, “England has always been discinclined to accept human nature.”

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Kelly Reichardt’s “Certain Women” presents a triptych of loneliness on the frontier


Sure, it would have been nice to have a lavish Criterion Collection Blu-ray edition of Kelly Reichardt’s “Certain Women.” Multiple commentary tracks, behind the scenes footage, maybe even some animated storyboards for the sequence when the Rancher (Lily Gladstone) cleans out the barn.

But that’s not really the way Reichardt, who makes crisp, economical and devastating indie drams like “Wendy & Lucy” and “Old Joy,” rolls. No shot, no line of dialogue exists in her films without a purpose. So, it’s perhaps fitting that for “Certain Women,” which adapts three short stories by author Maile Meloy, the Criterion disc only has a triptych of short interviews with Reichardt, Meloy and producer Todd Haynes.

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“Heal the Living” is a heart-tugging French drama about life and death


How do you make a movie about a heart transplant and not make it a medical drama?

Katell Quillevere’s “Heal the Living,” out on Blu-ray from Kino Lorber, achieves this by giving equal weight to the donor and to the recipient as well as the doctors. The result is a humane triptych of a film which, although it lacks real suspense or drama, contains moments of stunning beauty and enveloping empathy.

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“Obit” is an entertaining film about journalists facing the ultimate deadline


Those of us on social media know the feeling; that sense of dread when everybody in your feed is suddenly talking about a famous person you hadn’t thought of in a while. Go back far enough in your timeline and you see why.

A lot of us are amateur obituarists now, posting our remembrances and recollections in 140-character bites on Twitter or a little more on Facebook. That collective outpouring can be a fine and even necessary way to mourn – at least until the point when people in your feed start making inappropriate jokes. But the documentary “Obit,” now out on DVD from Kino Lorber, makes the case for leaving it to the pros.

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“Hopscotch”: His name is Matthau. Walter Matthau.


If Jim Broadbent had been hired to play the next James Bond (and that idea sounds better and better with every word I write), the result might be something like Walter Matthau in “Hopscotch.”

He’s an international secret agent who jets from Germany to Bermuda to London, a master of secret identities who catches the bad guys and stays one step ahead of his pursuers. All while wearing grandpa sweaters and reading glasses.

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“In This Corner of the World”: A family struggles to survive in Hiroshima’s shadow


History is the ultimate spoiler in the Japanese anime “In This Corner of the World,” which follows an ordinary Japanese family as they eke out a simple but happy existence in a seaside village. But as we watch their day-to-day life, we feel a mounting sense of dread, because this is the 1930s and 1940s, and the bay they live by is Hiroshima Bay.

Writer-director Sunao Katabuchi is mostly circumspect about showing the devastation of war, instead focusing on its effect on these characters. But this poignant and heartbreaking film is definitely for older kids and adults only.

“In This Corner of the World,” distributed in the United States by Shout! Factory, is now playing at Marcus Point.

The film follows Suzu (Rena Nounen), a young woman from the village of Hiroshima. As a girl, she loves to draw, and the film brings her pencil drawings and watercolors playfully to life. When she looks out at the bay, the whitecaps look like hopping white rabbits to her, and so they go into the painting.

At 18, Suzu is forced to move to the neighboring village of Kure and marry a quiet young clerk, living with his family. At first, this seems like a hard and unfair life, as the family requires Suzu to do all the cooking and cleaning for them, and Suzu’s new husband seems distant.  But she gradually warms to this new life, and her husband and in-laws prove to be kind people.


As the film moves slowly forward, we see how the war impacts this little family before the first bomb is even dropped. Sugar and soy sauce are rationed, forcing them to get creative at mealtime. The authorities, hunting for spies, are suspicious of Suzu’s artwork, and forbid her from painting.

Then the planes come, and we feel the true terror of life during wartime, the endless air raid drills, the loss of family and neighbors, the destruction everywhere. The film focuses on the resilience of these people, their determination to help each other and keep living their lives as best they can.

The hand-drawn two-dimensional animation is stunning. It captures both the flights of fancy of Suzu’s imagination and the reality of her life in Kure. The animators drew from actual photos of the village to make the world they drew as realistic as possible – even the brands of the candy bars in the store are accurate.

“In This Corner of the World” is a low-key, at times slow-moving film. But it builds cumulative power because we spend so much time, day in and day out, with this family. Their story, and their survival, becomes important to us.

“Cinematic Titanic” resurfaces with more riffs for “Mystery Science Theater 3000” fans


Once upon a time, “Mystery Science Theater 3000” fans clung onto their tape-recorded copies of their favorite show like they were life preservers, watching them over and over and hoping they wouldn’t disintegrate in their hands.

Now it’s fair to say we have an embarrassment of riff riches at our fingertips. The “MST3k” offshoot Rifftrax constantly releases new commentaries and in-theater simulcasts. And, of course, there’s the new version of the show on Netflix, with 14 episodes and even a touring live show with two more new ones this summer. And, if you check your local comedy club listings, you might see former cast members Trace Beaulieu and Frank Conniff doing live riffs in your town as “The Mads Are Back.”

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