UW’s Hyphenated American Film Festival kicks off this weekend at Union South


I’ve been a big fan of the Wisconsin Union Directorate’s Film Committee’s programming over the last few years — they seem to fill the Union South Marquee Theatre with just the right mix of recent hits that will bring in the students and indie films that people might have missed during their brief theatrical runs, or didn’t play in Madison at all.

One thing I’ve really liked is WUD Film’s commitment to use their fall and spring film festivals to target specific kinds of films, and subtly try to make a point with those festivals. Last spring, when there were plenty of articles about how so few female directors get the chance in Hollywood to get behind the camera, WUD responded with the Directress Film Festival, made up entirely of films made by women.

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UW Reel Love LGBT Film Fest, Day 4: “Lilting,” “To Be Takei,” “Something’s Must Break”


The UW-Madison’s Reel Love LGBT Film Festival, now in its fourth year, is still the only Wisconsin film festival (and one of the few campus-based festivals nationwide) exclusively devoted to films with gay, lesbian and transgender subject matter.

The free, 15-film festival runs Thursday through Sunday at the Union South Marquee Theatre, 1308 W. Dayton St. Once scheduled in the fall, the festival has moved to the spring this year, but is otherwise another terrific collection of new films, including many Madison premieres, that show the wide range of LGBT filmmaking out there. Whether you like broad comedies, tender dramas or hot-button documentaries, they’re represented at this festival.

Each day during the festival, I’ll feature a new review of one of the films playing that day, along with capsules of the others and links to my previous reviews where available. For a full schedule, visit wudfilm.com. And, once again, it’s FREE, people!

Lilting” (5 p.m. Sunday, Union South Marquee) — Ben Whishaw is fast becoming one of my favorite young British actors. Whether he’s playing a certified oddball in a movie like “Perfume: The Story of a Murderer” or adding notes of dry wit in “Skyfall,” he just seems incapable of being uninteresting or inauthentic on screen. (I hear he’s even good as the voice of Paddington.)

He gets to show his more vulnerable side in “Lilting,” a lovely British drama from writer-director Hong Khaou. Whishaw plays a young gay man, Richard, grieving the death of his lover Kai (Andrew Leung). Kai’s mother is a Cambodian-Chinese immigrant, Junn (Pei-Pei Cheng), who speaks no English and has been left largely alone in a nursing home, unable to communicate. A randy fellow resident (Peter Bowles) has been trying to court her, but the language barrier is insurmountable.

Although Kai never came out to his mother, Richard introduces himself as Kai’s “special friend” and offers to hire a translator (Naomi Christie) to help facilitate. As Richard and Junn start to be able to communicate, the discussion inevitably turns to Kai, and the things Richard has to say that Junn may not want to hear.

A warm and moving film about the difficulty and the necessity of open dialogue and bridging cultural gaps, “Lilting” is a slow-moving but rewarding film. Whishaw is immensely effective as the kindly Richard, who must restrain his sorrow in Junn’s presence when he most aches to share it, and Cheng is poignant as the mother who needs to understand and accept who her son really was before she can heal. The rapprochement between the two at the end of “Lilting” is probably too pat by half — but that doesn’t mean it doesn’t feel good when it comes.


To Be Takei” (1 p.m. Sunday) — Even without playing Mr. Sulu on the original “Star Trek,” George Takei would have had an interesting life, starting with his family’s time in captivity in a Japanese internment camp. Since coming out, Takei has used his celebrity status to become an outspoken (and often very witty) advocate for human rights in all forms, and this documentary follows his journey.

Something Must Break” (3 p.m. Sunday) — This raw and tender Swedish drama looks at the bond that develops between a trans woman and a straight man, and how their attraction challenges both their circles of friends and family.