The first image is leisure as nightmare. The camera stays uncomfortably close to the middle-aged bodies of a group of unidentified sunbathers, lounging around a fetid pool. We don’t see faces, just their protruding bellies, gray chest hair, sagging skin. Thunder rumbles in the distance, and the bathers begin dragging their metal lounge chairs across the concrete tiles. The noise is hideous, like a banshee.
This unsettling opening marks the beginning of 2001’s “La Cienaga,” and the beginning of the film career of Argentine director Lucrecia Martel. Much of what viewers find fascinating about Martel’s films can be found in that beginning — elliptical narratives, an emphasis on sound, and subtle explorations of class divisions deeply embedded in character. The film is just out in a new edition on Blu-ray and DVD from the Criterion Collection.