“L’avventura: The Criterion Collection”: She’s the original gone girl

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Imagine Agatha Christie’s “Murder on the Orient Express” if nobody tried to figure out who the murderer was, and you have some sense of what an impact Michelangelo Antonioni’s “L’avventura” had on world cinema in 1960. While critics and audiences expecting a mainstream mystery were frustrated, the film quickly gained a reputation as a bracing and elliptical new style of narrative.

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