“De Palma”: A master class from one of cinema’s most controversial directors

depalma

“DePalma” has its Madison premiere at 7 p.m. Friday at the UW-Cinematheque, 4070 Vilas Hall, 821 University Ave. R, 1:50, three and a half stars out of four. FREE!

The Village Voice once ran dueling columns by its film critics, Andrew Sarris and J. Hoberman, on Brian DePalma. One was headlined “Derivative” and the other “Dazzling.”

Such has been the competing views of DePalma. Like his spiritual mentor Alfred Hitchcock, he’s been a deeply polarizing figure in American cinema who only now, late in life, may be finally getting his due. During his heyday, many critics couldn’t look past the blood or the naked women or the bloody naked women in “Dressed to Kill” or “Carrie” or “Body Double.”

But he had his champions, most notably Pauline Kael of The New Yorker, and has come to be renowned as one of the masters of cinematic storytelling. Even if those stories got a little overheated. The fine new documentary “De Palma,” by fellow filmmakers Noah Baumbach and Jake Paltrow, features just one interview, with De Palma himself, talking about every single film he ever made. No other interviewee is necessary.

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