Pick of a week: “The Robber” — My full review is here. An Austrian marathon runner finds a new method of pushing his body to the limit — robbing banks in broad daylight and outrunning the cops. This thriller is as lean and mean as its protagonist, with minimal dialogue and stunning foot chase scenes.
Drama of the week: “The Kids Are All Right” — A lesbian family’s life is turned upside down when their children want to contact their biological father. What could be a high-concept premise turns into a comic and dramatic look at family and responsibility, with great performances all around.
Classic of the week: “Giorgio Moroder Presents Metropolis” — Far from the definite restoration of Fritz Lang’s dystopian classic, Moroder (heard on the latest Daft Punk album) added color tinting and an ’80s pop soundtrack.
Comedy of the week: “Love Actually” — Not all of the many, many plotlines work (Colin Firth and the maid?), but there’s enough good stuff, and certainly enough good British actors, to carry this tale of Londoners looking for love.
Foreign film of the week: “Poetry” — My full review is here. In this beautifully sad South Korean drama, a grandmother tries to make sense of her life, including her grandson’s role in a horrific crime, through a poetry class.