Wisconsin Film Festival preview: “Awful Nice”

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“Awful Nice” screens at 9:15 p.m. Thursday, April 18 at Sundance Cinemas. Writer-director Todd Sklar and co-writer and star Alex Rennie will attend. Advance tickets are available at wifilmfest.com.

If the title “Awful Nice” doesn’t sound familiar to you from your first mad dash through the 2013 festival calendar, that’s because it probably wasn’t there. Festival programmers just booked Todd Sklar’s film last week, after the calendar had gone to press.

It shouldn’t get lost in the shuffle, because this has to be one of the funniest films at the festival. And not just the sort of knowing-chuckle funny that one expects from indie comedies about estranged brothers, but huge, rolling waves of laughs. I watched “Awful Nice” in probably the most unfriendly environment for a comedy — on Vimeo, alone, on my desktop — and I was rendered helpless from laughing again and again. Sklar and Rennie have connected indie comedy to the tradition of broad slapstick humor, of punches thrown and windows smashed, and it’s just a riot.

“Awful Nice” is at heart rooted in a familiar tale of estranged adult brothers. Jim (James Pumphrey)  is the responsible one, a failed author with a family to support. Dave (co-writer Alex Rennie) has always been the family screw-up, drifting from one failed scheme to another, convince that his childhood collection of sports memorabilia will make him rich someday. How’s that plan working out for him? In the opening scene, Jim descovers Dave passed out naked in a wigwam, surrounded by strewn peanuts and a live tarantula.

Their father (nicknamed “The Colonel” for unspecified reasons) has just died, and Jim wants to drag Dave back to Kansas City for the funeral. For $150, Dave agrees. They haven’t seen each other in years, and always seem one careless remark away from a drag-out fistfight. Unfortunately, it seems the only remarks Dave knows is careless remarks, and the two grown men keep erupting into hilarious scuffles, looking like two kids wrestling in their parents’ rec room. The first act of “Awful Nice” is hilarious because of that constant button-pushing tension between the two brothers. There’s one fantastic, bizarre scene at a family dinner when Jim and Dave suddenly get into this bizarre drinking contest, madly gulping down every liquid on the table — beer, water, gravy — before devolving into the expected fisticuffs. They’ve never evolved past the “he did it first!” phase of brotherly relations.

The boys have to go down to Branson, Missouri to sell the family lake house, and find it trashed beyond belief. Dave decides it’ll be a great bonding experience if the brothers fix up the place, and Jim reluctantly agrees. The only problem (okay, one problem among many) is that neither has any idea how to do home repair. So instead they putter around the house and then head out on the town, getting sucked into Branson’s seamy underbelly (as opposed to its seamy overbelly), including British prostitutes and Russian mobsters.

“Awful Nice” plays it really broad at times, and Jim and Dave often reminded me of nothing more than classic slapstick comedy duos — the slow-burn straight man Jim as Bud Abbott, excitable loser Dave as Lou Costello. And, come to think of it, there has to be a “Three Stooges” short where the numbskulls had to fix up a house, right? Also, the supporting characters play things gleefully over the top, including comedians and podcast favorites DC Pierson and Brett Gelman as Russian mobsters, and “Law & Order: SVU” star Christopher Meloni, wearing the worst hairpiece you will see at the Wisconsin Film Festival, as The Colonel’s old business partner.

But as wild and silly as the movie gets, it still connects to the age-old tale of sibling rivalry, of how family relations bring out the worst and best in everyone. It’ll be a blast to see with a full house at the festival.

UPDATED: 50 Wisconsin Film Festival sellouts; fourth screening for “56 Up” added

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If you were one of the many who couldn’t get tickets to see the documentary “56 Up” at this year’s Wisconsin Film Festival, and you don’t mind getting up early on a Saturday morning, you’re in luck. Late last week, the festival added a special fourth screening for Michael Apted’s documentary at 9:15 a.m. Saturday, April 13 at Union South. Advance tickets are available at wifilmfest.org.

“56 Up” was one of the first sellouts of the festival; not only is the “Up” series, following a group of British people every seven years of their lives, immensely acclaimed, but one of the subjects is a Madison resident, UW professor Nick Hitchon. Hitchon will be at the 6 p.m. Saturday screening only.

In past years, films normally only got one or two screenings during the festival, but the longer eight-day festival this year has given programmers the space to book films three (and, in this case, four) times if the film’s distributor is amenable. Festival director of programming Jim Healy said there likely won’t be any more films that get last-minute bonus screenings like “56 Up.” For example, Joss Whedon’s “Much Ado About Nothing,” which sold out in less than an hour, won’t get a second screening because the arrangement with the distributor, Roadside Attractions, only allows for one.

Otherwise, by my count, there are 50 movies at this year’s festival that have all or some of their screenings sold out. Here’s my updated list:

56 Up” — all three original screenings are sold out, but a fourth screening has been added at 9:15 a.m. Saturday at Sundance, and advance tickets remain for that. One of the subjects of the doc, Nick Hitchon, will be speaking at the 6 p.m. Saturday screening only.

7 Boxes” — The 5:15 p.m. Friday show and 9 p.m. Tuesday shows are both sold out.

All the Light in the Sky” — 4:45 p.m. Sunday sold out.

Augustine” — 7 p.m. Thursday (April 18) sold out, tickets remain for 9:15 p.m. Tuesday.

Beyond the Hills” — 5:45 p.m. Sunday sold out.

Blancanieves” — 7:45 p.m. Friday sold out, but tickets remain for 6:30 p.m. Thursday.

“Breakfast with Curtis” — 11:30 a.m. Saturday is sold out, but tickets remain the 12:15 p.m. Friday show.

The Bronte Sisters” — 1 p.m. Wednesday is sold out, but tickets remain for 9:15 p.m. Monday.

Citizen Koch” — 11 a.m. Sunday is sold out, but tickets remain for 7:15 p.m. Saturday.

Computer Chess” — 6:15 p.m. Tuesday sold out, but tickets remain for 11:15 a.m. Sunday.

Consuming Spirits” — 2:15 p.m. Saturday sold out.

“Dear Mr. Watterson” — Both screenings are sold out.

Dragon Inn” — 11:45 a.m. Saturday sold out.

Either Way” — both screenings sold out.

The End of Time” — both screenings sold out.

Flicker” — 7:45 p.m. Saturday and 4 p.m. Monday are sold out, but tickets for 12:15 p.m. Friday remain.

Grave of the Fireflies” — 2:30 p.m. Sunday is sold out, but tickets remain for 4:45 p.m. Thursday, April 18.

A Hijacking” — 9:30 p.m. Saturday is sold out, but tickets remain for 3 p.m. Friday.

I Am Divine” — Both screenings are sold out.

In the Fog” — 4:30 p.m. Sunday is sold out, but tickets remain for 2:30 p.m. Friday.

Kauwboy” — 2:15 p.m. Saturday is sold out, but tickets remain for 4:15 p.m. Wednesday.

“Key of Life” –  7 p.m. Wednesday is sold out, but tickets for 1:30 p.m. Thursday remain.

Kon-Tiki” — 6:30 p.m. Sunday sold out

Leviathan” — 6:30 p.m. Thursday, April 18 sold out, but tickets remain for 4:45 p.m. Friday.

The Librarian and the Banjo” — 4:30 p.m. Sunday sold out

Lore” — both screenings sold out

M” — 7:30 p.m. Saturday sold out

Much Ado About Nothing” — 9 p.m. Thursday sold out

Mussels in Love” — 7:30 p.m. Friday sold out, but tickets remain for 7 p.m. Monday.

Only the Young” — 7:45 p.m. Friday sold out, but tickets remain for 4 p.m. Sunday

Ornette: Made in America” — 7:15 p.m. Thursday sold out, but tickets remain for 9:30 p.m. Sunday.

The Painting” — 11:15 a.m. Saturday sold out, but tickets remain for 11:45 a.m. Sunday.

Phase IV” — 11:30 a.m. Saturday sold out

Present Tense” — 6 p.m. Sunday sold out, but tickets remain for 1:30 p.m. Monday.

Pretty Funny Stories” — 5 p.m. Saturday sold out

Radio Unnameable” — Both screenings sold out.

Renoir” — Both screenings sold out.

Room 237” — 6:30 p.m. Wednesday sold out

Shepard and Dark” — 6:30 p.m. Monday sold out, but tickets remain for 1:15 p.m. Tuesday

Short Films From Wisconsin’s Own” — 2 p.m. Sunday sold out

Stories We Tell” — 6:45 p.m. Thursday sold out

Street Pulse” — 4 p.m. Saturday screening sold out

This is Martin Bonner” — 6:30 p.m. Saturday sold out, but tickets remain for 2 p.m. Sunday.

Tiger Tail in Blue” — 7:15 p.m. Sunday sold out.

A Touch of Zen” — 11 a.m. Sunday sold out.

Unfinished Song” — 5 p.m. Saturday sold out.

The World Before Her” — 7:30 p.m. Friday and 11 a.m. Saturday both sold out

This is Martin Bonner” — 6:30 p.m. Saturday sold out, but tickets remain for 2 p.m. Sunday

Unfinished Song” — 5 p.m. Saturday sold out

Winter Nomads” — 4:30 p.m. Thursday sold out, but tickets remain for 12:30 p.m. Friday